These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "No, I won't receive him here with you. Only where I received him last—only there again." She showed her companion that as to that she was firm.!

Fleda, at this, thought it best also to laugh. "Since I didn't let you know, why did you come?" Her profuse preparations had all this time had no sequel, and, with a laugh that she felt to be awkward, she hastily complied with his request. "It's sure to be horrid," she said; "we don't have at all good things." She offered him also bread and butter, of which he partook, holding his cup and saucer in his other hand and moving slowly about the room. She poured herself a cup, but not to take it; after which, without wanting it, she began to eat a small stale biscuit. She was struck with the extinction of the unwillingness she had felt at Ricks to contribute to the bandying between them of poor Mona's name; and under this influence she presently resumed: "Am I to understand that she engaged herself to marry you without caring for you?"

Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!" "I can easily fancy what the Brigstocks say!" Fleda permitted herself to remark without solemnity. "Leaving you quite to yourself?"